Showing posts with label interviews. Show all posts
Showing posts with label interviews. Show all posts
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Introducing: Con the Bassmaster


Brandon Washington is something like a superhero. He is an unpretentious shampoo vendor by day and a gruuvmastering, beatforging, head-exploder by night. Hailing from “the land without Gruuv” or otherwise known as Wisconsin, a state known more for its cheese than its epic drum and bass music, he is Con the Bassmaster, saving us from the mundane--one awesome song at a time. His groove-inducing musick is exceptional as he samples anything from Cassie (yep) to Coheed and Cambria in a seemingly effortless, almost machine-like consistency. He agreed to answer more than a few questions for us. So, here is an introduction. A tip of the iceberg, if you will, of Con the Bassmaster.
You’re welcome.

So why are you Con the Bassmaster?
I wanted a name that could leave its connotation to the consumer, but people just call me Con. I was going for the act of conning a bassmaster, you see. But Con's not too shabby of a nickname!

How's the music scene in Wisconsin?
The musick scene here is mainly punk rock and metal/hardcore. Eh.

What is it about dnb that you like?
DNB and Jungle have roots in funk and reggae, which are two of my favourite genres. I suppose it just kinda happened.

Who are your musical influences?
If I had to pick 3, it would be the RZA, Frank Zappa, and Nobuo Uematsu.

Interesting choices. Why those three specifically?
Well, the RZA because his production skills are damn near legendary. And both Zappa and Uematsu are fantastic composers (in Zappa's case, WAS a fantastic composer). They all just have great taste in sounds, and their skills in arrangement are superb. I aspire to be at 1/4 of their collective levels, ya dig?

What goes on through your head when you make music?
As for what's going on in my head when I'm beatforging, it depends. Sometimes its sadness, other times its a feeling of love and happiness. In the end, its more about drawing from what’s around me/happening to me than anything else.

What do you want people to think when they hear your music?
"That's pretty groovy."

What was the most difficult song you made and why?
The song "Matriarch." It was a song I was making for my grandma, but she passed away before it was complete. A rather sad tale.

How would you describe your style?
I would describe my style as a mix of dnb, hip hop, and trance, with a progressive feel to it. Others would describe it as video gamey. :/

What would you say was your biggest stylistic leap while making music?
Biggest leap was when I got heavy into sampling. Opens up a whole new world in composition!

So what are you working on right now?
Current work? I was going to go on a bit of a hiatus, to be honest. Though, there may be a project coming up with my buddy Adam (DJ Ango) under the name "Super Special Finish." I'll keep you informed?

Do you have a favorite motto?
"Optimism is key!"

Is there anyone you would like to (or have dreamed to) work with? The RZA, for sure. Anthony Green, Omar Rodriguez-Lopez, and Ewun the Gun. That'd be pretty bossome.

Explain, the inception and philosophy of 'Cream Cheese Chillin'': Hahaha. Really? Well, I suppose it's the state in which a person, or a collective group of people, desire to venture forth and accomplish something, but shortly after decide lounging around and conversing would be just as fun. Word.

Also, 'Peptotrippin'.
Peptotrippin' is like robotrippin', but with Pepto Bismol. Its more of a prank to play on someone than anything else.

So who are you listening to right now that you can't get off repeat? Brookes Brothers, "F Zero" in particular.

In the future, where do you see yourself and the progression of your music?
To be frank, I see myself making groovy music for groovy people. :]

Finally, any last words you want us to know about you? I'm a whirlwind of man.

Check out Con the Bassmaster at: myspace.com/conthebassmaster
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Outabodies Interview B-Sides

Here is the second part of the Outabodies interview, in which they talk about what their concerts are like, what makes them passionate and who they view as musical contemporaries.

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VIDEO BLOG: Presenting Outabodies

I'm pleased to present the first video blog in WYP history. Following is an interview with the hip-hop group Outabodies.



There were a few segments that got axed for the sake of continuity and time. Those segments will be up later today. Enjoy.
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Presenting Super Ugly



While visiting the various vendors at WonderCon, I came across the stand of rapper/artist Super Ugly (real name John Williams), who proceeding to talk me into buying the album Brokedown Palace by his band Unified School District. The CD, which he sold me for a measly $5, was a fantastic blend of geekiness and funkiness delivered through underground hip-hop. As a hip-hop head with a serious case of love-hate with the genre, I was courted by hip-hop of the Unified variety (Kool Keith, MF Doom, Grayskul, etc.) much more than the gangsta variety that has all but killed the genre's artistic credibility. Unified delivers it.

Super Ugly agreed to an interview with WYP, and provided some insightful answers to my questions. Read up.


How did Unified School District get formed?

Unified was built from spare parts in a garage in Reno back in 2001. I met Ecto after we had already put the "band" together. He came in to do the recording on his eight track, and was a real young guy, around 18. After we laid a couple of tracks Ecto played me a couple of beats and I was hooked. I could not believe what I was hearing... the samples he was flipping and the level of his scratching.. I knew our tastes would work together very nicely. After awhile we phased the other guys out and became a duo. We have been roomates and friends for a long time. He's a grown ass man now, painting signs over at Madeforglorysigns.com But we are heading back in to the studio to work on our fifth album this summer.

Why the name "Brokedown Palace" for your last album?


because that is the perfect description of music right now..I knew the movie and not the Grateful Dead song..but felt it just says so much about how we feel about music. The cover, the title, the songs inside all live up to the name Brokedown Palace.

Have you shopped yourself around to labels like Rhymesayers or Def Jux?


We are admittedly the worst hustlers in music today.. we have sent packages with our Info and music to most indie labels and heard not a peep.. true we could've pursued the labels more, called and harassed but that aint our thing. we are lazy composers. it would be nice to have someone who could help guide our sound into more ears, but we are truly blessed if even one person hears it. ITunes has been good to us, as has the podcast.

How did the comic book crowd at WonderCon respond to your music?

I do not push a ton of music at conventions. Bu the people that do buy it always give us a good response. That's the thing with Unified music, its not easily definable after one listen.. or two..or a hundred. It works on many layers and brings a different view with every listen. I want comic kids to listen though cause I define a lot on a level they can appreciate. humor. darkness. obscure references. But we also don't short you on that raw classic boom bap hip hop.

Whose idea was it to sample video game themes?

Ecto is a musical genius. He has compiled a long list of video game sampled tracks. Games such as Castlevania, Punch Out, Metroid and Tetris liek on the track "Action Figures" on our album. He sat there with the OG nintendo, sampling straight from the TV. On Mike Tysons punch out he actually had to play the game while sampling to get the right sound effects. It is his Magnum Opus, he's calling it "Coin-Op" and it should be arriving in cartridge form soon...

How did you end up getting Prince Po on your album?

Prince Po is one of my idols in music. Organized Konfusion was a big influence in my younger days. We played a show with Po in SF and ripped it in ususal Unified manner. After the show he was real cool, saying he was into what we were speaking on. Of course we were on cloud 9.. We got the chance to play with him again and when he saw us he told us he was excited to see he was playing with us again. So we felt it would be fair of us to ask him if he was interested in being involved with the album. He was more then willing and picked out one of Ectos favorite beats. Which is an amazing sample from the Dumbo soundtrack. I know, he's crazy. Po killed, Ugly killed it. It is one of my favorite tracks on the album.

How do you feel about the state of hip-hop? Is it dead, like Nas said?

Music is dead.. screw hip hop. It really is in a state of transition, the old guard is dying and the new mediums are the ones choking them. downloading is something the big business cant wrap their head around. Hip hop has some bright lights, and in each state there is a movement but it is really small compared to the glamour and glitz. And why would it be? the dumbing sdown of music has been in full rage for ten years. Hip hop loves the ignorance, which is truly bliss. Getting dumb is very infectious. But things come around, for every hair band there was a Kurt Cobain. For every MC Hammer there was a Dr Dre. I am dying to hear what the next revolution will be and hope we can be a part of it.

What's your chief objective right now: music, art, podcasting?

Truthfully it is all three. I podcast once every week, I draw in my free time and like I said earlier am about to start on the new album "Chasing Ghosts". I am working to get a couple of Gallery shows and am travelling around the country doing comic conventions with Dave Dwonch of spacetimecondo.com and the podcast.I also have an almost full time job and a beautiful wife so I manage my time fairly well for a weed smoking fat kid. I also am in the outline stages of a new graphic novel "The Dry Season" and want to knock out a childrens book. whew! this is a good life.
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Indivisibly Speaking



Albert Sadia is the drummer for the indie rock band Divisible. Divisible is a multi-ethnic duo, bringing in elements of various backgrounds. You can find out more information about them at their website.

What are your primary musical influences?


My first influence as a drummer was Buddy Rich. I was 7 and I saw him on the "Muppet Show". I was mesmerized and I begged my parents to get me drums because I had destroyed all the hampers in the house. In terms of music, it'd have to be the Beatles, Radiohead and the Pixies. They truly inspire me. The bands' influences are a little more broad: Shudder to Think, Autolux, PJ Harvey and TV on the Radio.

How would you describe your sound?


Definitely primitive and raw. Full of emotions and a longing that people can identify with.

How did your band form?


Shola was playing with a bassist, and they were looking for a drummer. I listened to the music on their website and the first song I heard was "Fire in a Hospital." The second Shola started singing, I knew that I wanted to be a part of it. I spent the next day learning the four songs and I auditioned for them. Right away I knew it was a perfect fit, it just felt right. The original bassist left shortly after I joined and a few more have come and gone, but the bond that Shola and I share has been the constant and has grown stronger over the years. For now, we kinda like being a duo.

What has been the reception to your music?


We spent most of 2008 writing, producing and recording "Less than Lion". Our first show of the year was not until December and we were a little concerned and nervous about how the songs were going to be received. This album was a huge departure from our EP in terms of sound and structure but, we were really proud of it and excited to get it out there. So far, the response has been amazing! People really seem to be connecting with the music. Unlike our EP, it's actually attracting new people and making new fans...which we are really excited about. We've always had our loyal fans but it's really nice to see our music reaching new people...and sucking them in!

What can we expect from your album "Less than Lion?"


Hopefully, it'll be a listening experience that you'll want to groove to, but with intelligent and meaningful lyrics behind the rhythm. Something that you'll love listening to, but that will make you think and touch you in some way. A true experience.

What was the genesis of your band and album names?


The original bassist and Shola were both mixed – he was half Japanese and she's half black. The meaning changes though, and right now Shola says it's scientific, about people being Divisible into weird little molecules, with the larger picture being the most important. We like to think of our music that way – strange little parts making up a greater whole. The album name refers to Shola's coming to terms with certain truths about her father.

Are there plans to film a video or something similar to promote the album?


Yes, videos are definitely in our near future. We are deciding which songs to work on. We are going to be making 2-3 videos to help promote the album and offer up some eye candy for our site. It's a great way to express and be creative with the songs, plus they're fun to make!
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Hey Fam!
WYP is ready to bring back some interviews for 2009!

Bands!
Artists!
Interesting people!

If you are interested in being interviewed or interviewing someone for WYP, contact me here or at aatwell3@student.gsu.edu....
--Ash--
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Who's that lady?


We’ve been gone for a minute but we’re back and we hope you’re enjoying the summer as much as we are. What’s Your Poison is excited to introduce you to DJ Lady Sha.
Shaden Tavakoli brings to clubgoers a fusion of hip hop, R&B, and eclectic club bangers as well as her own rich middle eastern culture to the hottest clubs in Los Angeles, Miami, and Jamaica to name a few.
Her company, LionessLA, aims to bring you the ultimate experience in L.A. nightlife. I danced to one of the DJ’s sets at a club in Hollywood for some art/fashion show last spring. Lady Sha caught my attention with her mix of 90’s jams and current underground artists that made me ask: who is this chick? I needed to hear more of the phenomena that is Lady Sha and fortunately, the DJ agreed to let us bombard her with questions.
We love her knack for smiley faces after all of her phrases :) and mainly because she can hold her own in an unpredictable industry in an even more unpredictable city.
In the following interview, DJ Lady Sha talks about her musical influences, her company LionessLA, and the quirks of being a DJ at some of the hottest clubs in the country and all over the globe.

-How did you get your start DJing? Was it something you always knew you wanted to do?
I actually always wanted to be a singer/songwriter/guitarist.... but knew that wasn't a practical route (growing up in a Persian household, music is NOT the way to go).
So in college at Berkeley, I was pre-med & anthropology... doing spoken word & singing on the side. My sophomore year, my neighbor asked me to take his DJ-ing class on campus and I did it for fun. A few months later, I bought my own turntables and never thought twice about my path for the future. Now I can DJ and still pursue singing, etc.

-Are you a house DJ for a club?
I DJ at clubs, hotels, & special events all over LA & sometimes worldwide :)

-What are your favorite type of records to spin?
All the jams in hip hop, soul, reggae, & electro as well as underground artists & work from new producers that are coming out with fresh & banging music. :)

-Tell us about LionessLA.
I started LionessLA in 2006 with my friend and now business partner Aneesah. We wanted to create a presence in Los Angeles nightlife that was progressive, fresh, and feminine. Two years later, we are going strong and ready to take over the world's nightlife.

Here is our mission statement:
LionessLA is a marketing and production firm with an emphasis on exclusive nightlife experiences and special events. Established in 2006, the Lioness mission seeks to expose clients to the finest in music, art, cuisines, venues, and products. Co-founders Shaden Tavakoli (DJ Lady Sha) & Aneesah Williams engrave the LionessLA signature universally with an impeccable taste for quality and progressive entertainment. By continuously building strategic alliances with sponsors, press, & charitable organizations, LionessLA innovates the forefront of global nightlife & social philanthropy.

-Do you have any other side projects going on?
I'm recording an album with a few close producers where I am doing all vocals & songwriting. Very exciting to finally be working on something that is my own creation. Something I have been waiting for since I was 13 & bought my first guitar.

-What's the best part of DJ? the worst?
The best part is that my career is to rock dancefloors & move people by taking them on a music journey they hadn't anticipated but love :)
The worst? Dealing with shady people in the industry that don't handle things professionally.

-What music did you grow up listening to?
Mostly rock...alternative 90's rock & classic rock, and... if I was ever in the car with my mom as a kid... usually 80's & 90's pop like Elton John, Whitney Houston, & Phil Collins... I had no choice but to love it... mom instilled that in me.

-How do you find the music you spin?
From music blogs, music magazines, and watching other DJ's play. Also, labels & distributers send me a lot of new music.

-Were there any obstacles you faced being a DJ?
It takes a while before the gigs become steady enough to support you. So there was a lot of struggle & hustle to reach this point in the beginning and oftentimes I wasn't taken seriously as a female DJ & had to prove myself on the decks many times before promoters, DJs, and clubgoers could give the nod of approval. Luckily, I never did and still don't pay attention to other's approval. I know when I'm at my best or my worst. :)

-Any words of advice for anyone trying to be DJ?
Work on your skill, learn real vinyl before you jump into the digital world, & pay close attention to the energy you create when you spin. Be conscious of how you move a room.

-Finally, what's the motto you live by?
Dream big... then make it happen.




For more info on everything that is Dj Lady Sha:


Click to listen to and download her lastest mix: Hot Butter Volume 1 (futuristic soul-hop-reggae-dirtysouth-funk).



**Ohai, if you're in the Los Angeles area this week, hit up club Nightscape at the Republic restaurant and lounge this Thursday night to celebrate her two year anniversary of LionessLA. It's her biggest party of the year! You, yes, you are invited so don't miss it, mmkay?


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Five minutes with Femi Martin




What’s Your Poison got the opportunity to ask Femi Martin some questions. Femi, who often goes by the name Anthro Journo, is a freelance journalist based in New York and London, interviewing artists like Jill Scott, Robin Thicke and Common. She is also the founder and CEO of Creative Criss Cross, a movement of sorts that helps Creatives (artists, writers, poets, free-thinkers, etc) to come together in one place and support each other. Femi speaks about journalism and her company in the following interview.

-How did you get into the journalism industry? Growing up, was it something you knew you wanted to be?
I didn't grow up wanting to be a journalist, I actually made the decision to enter the field of journalism in 2006. My two biggest loves at the time were music and anthropology, which I studied at university. I had the idea to fuse the two and write anthropological reviews of live music shows. I did this for a while, and it was well received, but I began to feel restricted. What I soon learned is that more than being a music-lover or an anthropologist, I am first and foremost a writer. The pursuit of journalism was really about me branching out and exploring the depth of my writing ability.

-How competitive would you say the journalism field is?
I know that there are definitely more writers than there are desirable writing jobs, and that alone makes it a competitive field. On a personal level though I'm quite oblivious to the notion of competition; I try not to sign up to the idea of it at all. My job is to focus on myself, and whether or not I'm performing to my full potential.


-Have you experienced any racism or any other obstacles in this field? If so, how did you overcome this?
There will always be times when things don't go your way. Most of my obstacles have probably been things I've placed in my own path due to a lack of focus or consistency. I believe you can jump over most things, and if not, then it might be time to blaze a new trail.

-What advice do you have for young journalists trying to be successful?
Well I think you have to be a writer before you become a journalist; so I would say that the most important thing is to find out what kind of writer you are. I think you should explore your style and really get comfortable with who you are as a writer. The greatest advice I can give in terms of getting into journalism is to never rule anything out. I got my start by e-mailing an editor asking for an internship. He liked my e-mail so much that he interviewed me and then gave me a chance to write for the magazine. So I believe that you should try all avenues, send all e-mails, and make room for the unexpected.


-Tell us about your company Creative Criss Cross.
Creative Criss Cross is an idea that was borne out of conversations with friends. It is a company designed to encourage creative people to think in terms of community. The hope is that the sharing of knowledge, information and wealth between us will help to change the lives of every person in the movement. Creative Criss Cross also helps to provide a space where that interaction can take place.

Mission Statement: To highlight the need for Creatives to invest in the livelihood of fellow Creatives by employing each other, supporting each other's businesses, and exchanging services.


(click pic for more info)


-The world of journalism can get pretty hectic. What keeps you grounded?
Friendship, laughter and meditation seem to be a winning combination for me. I don't really need to stay 'grounded' because I'm nowhere near important or rich enough to be off the ground; but these things do help me to maintain focus and remind me about what's really important in life.


-Who or what inspires you?
Life inspires me; life and its ever-changing nature. I've learned that you have to jump on board or get left behind.


-Finally, what's the motto you live by?
"It is not enough to do your best; you must do what is required by the situation." - Cathy Hughes
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INTERVIEW: Militia (Swear On Your Life)

WYP had the honor of interviewing Militia, frontwoman of heavy metal band, Swear On Your Life and host of Fuse TV's Heavy Metal Makeover. Find out how went from "bandless" to leader of her own band. This is WYP's first interview.

What were you doing before Swear On Your Life?
The band that I was in prior to SOYL was a female fronted, shock rock,grindcore band- it was kind of like Marilyn Manson meets L7. I was onbass + sang death metal vocals. Then I got into The European Tour of JesusChrist Superstar + they put me out of the band. When I got back to NYC, Iimmediately started doing shows on FUSE again (When I had originallystarted working with them it was called Much Music USA.) Because I was"bandless" I put together concerts at a then off-Broadway house in NYCcalled The Belt (next to The Zipper Factory.) One of the shows being anall-black tribute show called Anarchists of Color. I put all the bestblack rockers that I knew at the time in it: Frank Ferrer on drums(Pisser, and now Guns N Roses), Felicia Collins on guitar (DavidLetterman/CBS Orchestra), Noah So, Honeychild, Portia (Kelis, Portiagirl),La'Schelle (Nona Hendrix), myself + more...We played a few shows in NYC +then, due to some conflicts within the group, I had to let it die... (Seepics here:
http://lundissimo.info/aoc/index.html)


How did SOYL get started?
SWEAR ON YOUR LIFE was a Craigslist conception. I had been having somebad luck finding people that I actually wanted to work with + could alsowork well together. So, I started trolling Craigslist + I answered the adthat spoke to me. We arranged to meet at their rehearsal space. As soonas they opened the door + I laid eyes on them, I knew I had found my guys.

How would you describe SOYL's sound?
Exhilaration.



Describe Burn My Crosses. What does the album's name mean?
A lot of people think that it's some big anti-religious statement. Therecord's even been banned + deemed "offensive" at some Catholic schools.Well, when I was at Catholic school, the nuns taught me about a lil' olthing called a METAPHOR.
The idea behind "BURN MY CROSSES" is when someone you love takes idealsthat are important to you + destroys them...+ you let them get away withit.
What are you and Swear On Your Life currently working on?
SWEAR ON YOUR LIFE is looking to play as much as humanly possible. We'dreally like to get over to Europe. We are continuing to write newmaterial, push forward + stay raw.
I am currently in an all-female rock musical called SUPER CHIX that is"workshopping" in New York City. I play a 70's-esque rock'n'rollsuperhero named, "Vita." See some moments here:
www.myspace.com/superchixrocks

Who were your musical influences when you were growing up?
Growing up I idolized Cyndi Lauper, Janis Joplin, Tina Turner, FreddieMercury + Michael Jackson because they are/were extremely powerful +commanding vocalists. Musically, I loved (+ still love) film scores-especially for horror movies- I had pretty much every Nightmare on ElmStreet score + soundtrack on cassette! I used to listen to classicalmusic every night- Chopin, Rachmoninoff, Bach, Beethoven, Berlioz. Musicals- specifically Sondheim ie Sweeney Todd, West Side Story, etc... +also Les Miz. My father collects records + he was constantly playingclassic rock, Motown + DooWop- by the way, he actually introduced me toLiving Colour! Then, in middle school, I discovered Metallica, PublicEnemy + 2 Live Crew. ;)
What challenges did you face as a result of your tastes, such as music?
Well, let's just say that my mother wasn't exactly "into it!" Shediscouraged me liking + listening to certain music because she grew up ablack female in the south in the 50's. To her, she identified hard rock +heavy metal to be for white people. She just didn't understand myattraction to it.
None of my friends growing up were into heavy music. So I felt like justkinda had it for myself + not to share. It was a great outlet for mebehind closed doors. When I got to high school, I started getting intopunk as well- a girlfriend of mine introduced me to Bad Brains + I knew Isaw the light! I also really clicked with the riot grrrl scene in a majorway: L7, 7 Year Bitch, Bikini Kill + Hole. I STILL brake for all thatshit!
What is your opinion of the impact of Afropunk and the black rockmovement on Black culture?
I love it + feel like we still have a long way to go.


What are some causes that are important to you?
Female liberation- I feel like a lot of girls don't know that there areother options in life other an just getting a man + pumping out babies. Self-esteem is a virtue.
Arts education- a lot of students need the freggin outlet!! And when itcomes to funding in schools, the music + art are the first to get the ax.

What advice would you give to other girls, especially black girls, thatare trying to get in to the metal and rock music business?
If it's in your soul to rock'n'roll- NOTHING can stop you.
xM


For more information on Swear On Your Life, check out
http://www.myspace.com/swearonyourlife
For more information on Militia check out
www.MILITIAISMYNAME.com
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